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Programme 2008

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Tim Rose

On March7th Tim Rose made a return visit to Crofton Art Group.

Click for a larger image of Welcome

Welcome

Secretary, Christine, introduced artist, Tim Rose. This was his second visit to the group to demonstrate architectural painting in watercolour.


Click for a larger image of One I did earlier

One I did earlier

Tim started by showing us a painting he had done of Admiralty Arch, London.

He wasn't pleased with the finished article, he thought it seemed rather dull and lifeless so decided to try again.

Click for a larger image of Getting started

Getting started

The original picture had been traced onto the paper and the first painting was on hand for occasional reference.

He began by thoroughly wetting the paper and putting a yellow wash across the middle for warmth.

Click for a larger image of Wet on wet

Wet on wet

Tim explained how by using the wet on wet technique he could get a more instant and exciting result.

Even when dark blue dribbled across the yellow he was totally relaxed. When this happens just carry on and assume no-one will notice. Very encouraging advice.

Click for a larger image of Confidence

Confidence

Shadows are more important than details and soon give an impressive overall effect.


Click for a larger image of Taking shape

Taking shape

With red crosses on white flags and shadows to indicate the arches, we soon had a good idea of the view.


Click for a larger image of Good viewing

Good viewing

Twenty four members had turned up to watch the demonstration - and weren't disappointed.


Click for a larger image of Light and shade

Light and shade

Using the paper's wetness enabled him to get a sense of drama in the light and shade.

And moving the painting through its various stages means he can paint faster, not waiting for areas to dry.

Click for a larger image of Some details

Some details

Where parts of the paper had dried he was able to put in some details, including a Big Issue seller who had posed for him.


Click for a larger image of Explaining

Explaining

Every now and then Tim moved away from his picture to get a better view and returned to explain the how and why of what he was doing.

Painting in the windows he decided to give more of an impression than much detail, not distracting the eye from the central arches.

Click for a larger image of Almost done

Almost done

Although Tim claims not to be much good at painting cars and horses, he likes to include them as they are very much part of the scene.

In this London picture it felt right to have a taxi and a couple of horse riders.

Click for a larger image of Finished

Finished

Everyone agreed that the finished picture was quite amazing. We were also encouraged to have a go ourselves.