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Tim Rose

On March 7th Tim Rose made a return visit to Crofton Art Group.

Click for a larger image of Welcome

Welcome

Tim being welcomed to the group. This was his second visit to the group to demonstrate architectural painting in watercolour.


Click for a larger image of One I did earlier

One I did earlier

Tim started by showing us a painting he had done of Admiralty Arch, London.

He wasn't pleased with the finished article, he thought it seemed rather dull and lifeless so decided to try again.

Click for a larger image of Getting started

Getting started

The original picture had been traced onto the paper and the first painting was on hand for occasional reference.

He began by thoroughly wetting the paper and putting a yellow wash across the middle for warmth.

Click for a larger image of Wet on wet

Wet on wet

Tim explained how by using the wet on wet technique he could get a more instant and exciting result.

Even when dark blue dribbled across the yellow he was totally relaxed. When this happens just carry on and assume no-one will notice. Very encouraging advice.

Click for a larger image of Confidence

Confidence

Shadows are more important than details and soon give an impressive overall effect.


Click for a larger image of Taking shape

Taking shape

With red crosses on white flags and shadows to indicate the arches, we soon had a good idea of the view.


Click for a larger image of Good viewing

Good viewing

Twenty four members had turned up to watch the demonstration - and weren't disappointed.


Click for a larger image of Light and shade

Light and shade

Using the paper's wetness enabled him to get a sense of drama in the light and shade.

And moving the painting through its various stages means he can paint faster, not waiting for areas to dry.

Click for a larger image of Some details

Some details

Where parts of the paper had dried he was able to put in some details, including a Big Issue seller who had posed for him.


Click for a larger image of Explaining

Explaining

Every now and then Tim moved away from his picture to get a better view and returned to explain the how and why of what he was doing.

Painting in the windows he decided to give more of an impression than much detail, not distracting the eye from the central arches.

Click for a larger image of Almost done

Almost done

Although Tim claims not to be much good at painting cars and horses, he likes to include them as they are very much part of the scene.

In this London picture it felt right to have a taxi and a couple of horse riders.

Click for a larger image of Finished

Finished

Everyone agreed that the finished picture was quite amazing. We were also encouraged to have a go ourselves.


 
| Homepage | AGM 2010 | Programme Autumn10 | July 2010 | June 2010 | May 2010 | April 2010 | Alan Goodall | March 2010 | February 2010 | 2010 Jan Self Help | 2010 January | 09 Irving Penvose | 09 Winter Social | 2009 Exhibition 1 | 2009 Exhibition 2 | Oct 2009 | 09 Oct Workshop | DemonstratSept 09 | October 2009 | AGM 2009 | April 2009 | May Demonstration | Eddie Cooper | D Newbould Feb 09 | Jeremy Taylor | Jan 09 workshops | Winter 08 Social | Exhibition 2008 | November 2008 | Oct 08 workshops | September 2008 | Banner Making | Abstract workshops | Patchings 2008 | May 2008 | April workshops | May 08 workshops | Dave Woolass | March demonstratio | 15 February 2008 | 7 February 08 | January 2008 | Nov 07 activities | Oct 07 Exhibition | Exhibition Picture | 21st March 07 | September 2007 | Sept 07 Landscapes | DIVA Awards 07 | July AGM 2007 | June 07 visit | May 2007 | April 07 | 13 March 2007 | 16 March 2007 | February 2007 | January 07 | Dec 06 | Programme 2008 | Programme 2009 | Autumn Program2009 | Programme 2010 | Aims of the Group | mail@dart.eclipse.co.uk