For quick work she draws her outline in grid squares.

To minimise dust and smudging, Catherine recommends working with the paper upright.

She works on blocks of colour, from light to dark, explaining the use of tones.

A light colour for the background makes the hare stand out better.

Fingers and hand are the best equipment for spreading the colour, with darker shades at the base to 'anchor' the animal.

A light 'portrait brown' is used for the fur around the hare's eye, rather than white.

Members asked questions about the range of colours needed, and how best to store them.

Catherine described her selection, giving the make and number of her favourite colours, while emphasising that tastes differ.

Just before the tea break she recommended trying out different colours and techniques - practising as often as possible.

Members had the opportunity to look at finished portraits as well as buy cards and other products.

Catherine spends a long time building up the fur and blending colours with the back of her nails - better than any bought tool.

The final - though not completely finished - portrait was an inspiration to everyone.

Catherine left time at the end to demonstrate how to paint a dog's eye and nose before Peter gave the vote of thanks.